| MP3 Quality Control by Deadmau5 |
| 05 June 2009 | |
Tweet or Share From Deadmau5's MySpace blog:Hello all! I'd like to get on a topic that been bothering for a couple years now that i think should be brought to light... mp3... the digital age, the download generation. 8m:09.889s Wave IEEE float signed 32 bit, 192000Hz 12288Kbps, Stereo. 717 MB (752,472,064 bytes) Funnily enough, not even a 16bit 44.1 quality version of FML has left my hard drive... so unless you broke into my house and snagged it out of my cold dead hands, theres no "HQ" version floating about as far as im concerned.... that's about as good as its goping to get in terms of "quality"... unfortunatley... 717 meg is a bit much when it comes to transferring for purposes other than mastering / remixing. NOW HERE COMES THE SCIENCE. alas, the file is then dithered (not resampled) down to 16bits and 44.1kHz (standard CD quality) for the masses / distribution. (with the exception that I dither to 24 bits / 48kHz for performances)... so, situation happens... some guy records the set @ 16 bit 44.1kHz (usually the case) you've got my 24 bit version coming out of my DAC (Digital to Analog Converter) then in to someone elses ADC (Analog to Digital Converter) which is only as good as the quality of the ADC.. so already the quality of the music has been compromised, and you havent even gotten it yet. Then, whoever records a direct line from the set then encodes that to 320kpbs MAX or 128 kbps mp3 for media streaming ease. this part is a MAAASSSIIIVEEE degradation of the original signal... and has been mulched to all bloody hell. So.... then what typically happens is yet ANOTHER DAC / ADC conversion.... wheres someone rips the audio from said streaming media outlet only to puke it back onto youtube... which is 128Kbps max in "HD" mode (which is a VERY far cry from HD if you ask me... total abuse of terminology there) shoulda jujst called it ABBDBNR...."A Bit Better Definition But Not Really". fun times! so... to break it down... lets take a quick look again... Production / Final Master ↓ degraded to 24 bits for live use ↓ degraded to 16 bits for commerical release / distribution ↓ degraded to 16 bits (less accurately) when recorded off a live feed from mixer via DAC / ADC ↓ degraded to 128kbps / 320kbps when published for streaming media outlets ↓ degraded to 128kbps / 320kbps when ripped from streaming media outlet ↓ degraded to 64kbps / 128kbps = a very crappy 6th generation copy that magically gets called "HIGH QUALITY VERSION!!!111ONE!!" on youtube.... you figure it out. Or as mr. Duda says: "yeah more like Rendered from Ableton -> converted to Mp3 -> uploaded to myspace -> reconverted to worse mp3 -> ripped from your myspace -> converted to wav -> edited in Ableton again to run for 6 minutes -> converted to mp3 ->uploaded to Youtube -> reconverted with shiteaudio.dll" - nice one steve. :D I just think it's time for us listeners to listen smarter, to educate eachother a little more, give the audiable world out there a bit of a quality control attitude, LISTEN UP folks... our hearing is really a fucking complicated and beautiful thing!!! Why not use it well? It's like owning the most amazing sportscar and not a drop of gasoline on the planet.... Sometimes when i stick my ears out there, im really starting to fear that even the terminologic use of the words "high quality" is slowing substandardizing itself into an inaudiable heap of nonsense. If my message reaches at least one person, and benefits them in any way, i will die a happy mouse. ![]() Related Content: |
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